The Color Digest · Compare

Settled, side by side

Dead Salmon

Farrow & Ball · No. 28

Not dead, just resting

Late Wheat

Benjamin Moore · CC-240

Straw, not butter

35
LRV
47.41
Late Wheat is 12.4 points lighter
#B09B8C
Hex
#CAB88C
176 · 155 · 140
RGB
202 · 184 · 140
Warm
Warmth
Warm
Muddy pink-beige; a rose that has faded into taupe
Undertone
Golden straw with a green edge; a muted, dusty yellow-tan
Neutrals
Family
Yellows
Colour Card
Collection
Designer Classics

In real rooms

Every room, each color

The difference

Read from the numbers

Late Wheat is the lighter of the two at LRV 47.41, 12.4 points above Dead Salmon at LRV 35. Both read warm. Dead Salmon is a neutrals, Late Wheat a yellows. For a whole room, Late Wheat is the safer, more forgiving choice thanks to its higher LRV, while Dead Salmon is the bolder pick.

How they read

In their own words

Dead Salmon takes its name from an eighteenth-century decorating bill at Kedleston Hall, where 'dead' meant matte rather than deceased. The color is a muddy pink-beige — salmon left in the sun until only the memory of pink remains. At LRV 35 it is a real mid-tone with unusual depth for a neutral.

Late Wheat is a muted golden yellow with enough tan and green in it to stay quiet — the color of a field in September rather than a lemon. At LRV 47 it sits mid-tone, so on cabinetry it reads as a real color without ever shouting, and it has none of the acidity that makes most yellows hard to live with.

Compare instead

Same family, other pairings