The Color Digest · Compare

Settled, side by side

Dead Salmon

Farrow & Ball · No. 28

Not dead, just resting

Stonington Gray

Benjamin Moore · HC-170

The grey that does not pick a side

35
LRV
59.36
Stonington Gray is 24.4 points lighter
#B09B8C
Hex
#CACBC5
176 · 155 · 140
RGB
202 · 203 · 197
Warm
Warmth
Neutral
Dead Salmon is warm; Stonington Gray is neutral.
Muddy pink-beige; a rose that has faded into taupe
Undertone
A true light grey with a faint green-blue base; neither warm nor cold
Neutrals
Family
Grays
Colour Card
Collection
Historical Colors

In real rooms

Every room, each color

The difference

Read from the numbers

Stonington Gray is the lighter of the two at LRV 59.36, 24.4 points above Dead Salmon at LRV 35. Dead Salmon leans warm where Stonington Gray reads neutral. Dead Salmon is a neutrals, Stonington Gray a grays. For a whole room, Stonington Gray is the safer, more forgiving choice thanks to its higher LRV, while Dead Salmon is the bolder pick.

How they read

In their own words

Dead Salmon takes its name from an eighteenth-century decorating bill at Kedleston Hall, where 'dead' meant matte rather than deceased. The color is a muddy pink-beige — salmon left in the sun until only the memory of pink remains. At LRV 35 it is a real mid-tone with unusual depth for a neutral.

Stonington Gray is Benjamin Moore's most balanced light grey — neither warm nor cool, with a faint green-blue base that keeps it from going purple, the failing of so many greys. At LRV 59 it is light enough for a small room and grey enough to read as a color against white trim.

Compare instead

Same family, other pairings