The Color Digest · Compare

Settled, side by side

Late Wheat

Benjamin Moore · CC-240

Straw, not butter

Extra White

Sherwin-Williams · SW 7006

Gallery white

47.41
LRV
86
Extra White is 38.6 points lighter
#CAB88C
Hex
#EEEFEA
202 · 184 · 140
RGB
238 · 239 · 234
Warm
Warmth
Cool
Late Wheat is warm; Extra White is cool.
Golden straw with a green edge; a muted, dusty yellow-tan
Undertone
A bright, clean white with a faint blue-grey lean
Yellows
Family
Whites
Designer Classics
Collection
White & Pastel

In real rooms

Every room, each color

Late Wheat

7 rooms
All 7 rooms

Extra White

6 rooms
Design byDarlene Molner
Design byDarlene Molner
Design byDarlene Molner
Design byDarlene Molner
Design byDarlene Molner
Design byDarlene Molner
All 6 rooms

The difference

Read from the numbers

Extra White is the lighter of the two at LRV 86, 38.6 points above Late Wheat at LRV 47.41. Late Wheat leans warm where Extra White reads cool. Late Wheat is a yellows, Extra White a whites. For a whole room, Extra White is the safer, more forgiving choice thanks to its higher LRV, while Late Wheat is the bolder pick.

How they read

In their own words

Late Wheat is a muted golden yellow with enough tan and green in it to stay quiet — the color of a field in September rather than a lemon. At LRV 47 it sits mid-tone, so on cabinetry it reads as a real color without ever shouting, and it has none of the acidity that makes most yellows hard to live with.

Extra White is a bright, slightly cool white — the closest Sherwin-Williams gets to a gallery wall. At LRV 86 it is crisp and reflective, with a faint blue-grey lean that keeps it clean rather than creamy. It is the white for architecture: plaster reliefs, coffered ceilings, a bank of steel windows.

Compare instead

Same family, other pairings