The Color Digest · Compare

Settled, side by side

Late Wheat

Benjamin Moore · CC-240

Straw, not butter

Pure White

Sherwin-Williams · SW 7005

The white that stays out of the way

47.41
LRV
84
Pure White is 36.6 points lighter
#CAB88C
Hex
#EDECE6
202 · 184 · 140
RGB
237 · 236 · 230
Warm
Warmth
Neutral
Late Wheat is warm; Pure White is neutral.
Golden straw with a green edge; a muted, dusty yellow-tan
Undertone
A true soft white with a touch of grey and a touch of warmth; neither cool nor creamy
Yellows
Family
Whites
Designer Classics
Collection
White & Pastel

In real rooms

Every room, each color

Late Wheat

7 rooms
All 7 rooms

Pure White

13 rooms
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
All 13 rooms

The difference

Read from the numbers

Pure White is the lighter of the two at LRV 84, 36.6 points above Late Wheat at LRV 47.41. Late Wheat leans warm where Pure White reads neutral. Late Wheat is a yellows, Pure White a whites. For a whole room, Pure White is the safer, more forgiving choice thanks to its higher LRV, while Late Wheat is the bolder pick.

How they read

In their own words

Late Wheat is a muted golden yellow with enough tan and green in it to stay quiet — the color of a field in September rather than a lemon. At LRV 47 it sits mid-tone, so on cabinetry it reads as a real color without ever shouting, and it has none of the acidity that makes most yellows hard to live with.

Pure White is one of Sherwin-Williams' most-specified whites for a simple reason: it has almost no agenda. A trace of grey keeps it from glaring, a trace of warmth keeps it from turning blue, and at LRV 84 it is bright without being stark. It is the white you choose when the art, the furniture or the view is the point.

Compare instead

Same family, other pairings