The Color Digest · Compare

Settled, side by side

Stonington Gray

Benjamin Moore · HC-170

The grey that does not pick a side

Pure White

Sherwin-Williams · SW 7005

The white that stays out of the way

59.36
LRV
84
Pure White is 24.6 points lighter
#CACBC5
Hex
#EDECE6
202 · 203 · 197
RGB
237 · 236 · 230
Neutral
Warmth
Neutral
A true light grey with a faint green-blue base; neither warm nor cold
Undertone
A true soft white with a touch of grey and a touch of warmth; neither cool nor creamy
Grays
Family
Whites
Historical Colors
Collection
White & Pastel

In real rooms

Every room, each color

Stonington Gray

3 rooms
All 3 rooms

Pure White

13 rooms
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
Pure WhiteSW 7005
Design bySamantha Fischer Studio
All 13 rooms

The difference

Read from the numbers

Pure White is the lighter of the two at LRV 84, 24.6 points above Stonington Gray at LRV 59.36. Both read neutral. Stonington Gray is a grays, Pure White a whites. For a whole room, Pure White is the safer, more forgiving choice thanks to its higher LRV, while Stonington Gray is the bolder pick.

How they read

In their own words

Stonington Gray is Benjamin Moore's most balanced light grey — neither warm nor cool, with a faint green-blue base that keeps it from going purple, the failing of so many greys. At LRV 59 it is light enough for a small room and grey enough to read as a color against white trim.

Pure White is one of Sherwin-Williams' most-specified whites for a simple reason: it has almost no agenda. A trace of grey keeps it from glaring, a trace of warmth keeps it from turning blue, and at LRV 84 it is bright without being stark. It is the white you choose when the art, the furniture or the view is the point.

Compare instead

Same family, other pairings