The Color Digest · Compare

Settled, side by side

Dead Salmon

Farrow & Ball · No. 28

Not dead, just resting

Monet

Benjamin Moore · 1243

Dusty rose in a Venetian mirror

35
LRV
39.98
Monet is 5 points lighter
#B09B8C
Hex
#BFA4A0
176 · 155 · 140
RGB
191 · 164 · 160
Warm
Warmth
Warm
Muddy pink-beige; a rose that has faded into taupe
Undertone
Dusty mauve-pink over beige; a rose that has aged into lilac
Neutrals
Family
Pinks
Colour Card
Collection
Classics Color Collection

In real rooms

Every room, each color

Dead Salmon

4 rooms
All 4 rooms

Monet

1 room
MonetBM 1243
Design byThe Kirby Home
All 1 room

The difference

Read from the numbers

Monet is the lighter of the two at LRV 39.98, 5 points above Dead Salmon at LRV 35. Both read warm. Dead Salmon is a neutrals, Monet a pinks. For a whole room, Monet is the safer, more forgiving choice thanks to its higher LRV, while Dead Salmon is the bolder pick.

How they read

In their own words

Dead Salmon takes its name from an eighteenth-century decorating bill at Kedleston Hall, where 'dead' meant matte rather than deceased. The color is a muddy pink-beige — salmon left in the sun until only the memory of pink remains. At LRV 35 it is a real mid-tone with unusual depth for a neutral.

Monet is a dusty, mauve-leaning pink with a beige base — a rose that has softened into something closer to lilac. At LRV 40 it is a real mid-tone, dark enough to feel enveloping in a small room and light enough to keep a powder room from going gloomy.

Compare instead

Same family, other pairings