The Color Digest · Compare

Settled, side by side

Monet

Benjamin Moore · 1243

Dusty rose in a Venetian mirror

Dead Salmon

Farrow & Ball · No. 28

Not dead, just resting

39.98
LRV
35
Monet is 5 points lighter
#BFA4A0
Hex
#B09B8C
191 · 164 · 160
RGB
176 · 155 · 140
Warm
Warmth
Warm
Dusty mauve-pink over beige; a rose that has aged into lilac
Undertone
Muddy pink-beige; a rose that has faded into taupe
Pinks
Family
Neutrals
Classics Color Collection
Collection
Colour Card

In real rooms

Every room, each color

Monet

1 room
MonetBM 1243
Design byThe Kirby Home
All 1 room

Dead Salmon

4 rooms
All 4 rooms

The difference

Read from the numbers

Monet is the lighter of the two at LRV 39.98, 5 points above Dead Salmon at LRV 35. Both read warm. Monet is a pinks, Dead Salmon a neutrals. For a whole room, Monet is the safer, more forgiving choice thanks to its higher LRV, while Dead Salmon is the bolder pick.

How they read

In their own words

Monet is a dusty, mauve-leaning pink with a beige base — a rose that has softened into something closer to lilac. At LRV 40 it is a real mid-tone, dark enough to feel enveloping in a small room and light enough to keep a powder room from going gloomy.

Dead Salmon takes its name from an eighteenth-century decorating bill at Kedleston Hall, where 'dead' meant matte rather than deceased. The color is a muddy pink-beige — salmon left in the sun until only the memory of pink remains. At LRV 35 it is a real mid-tone with unusual depth for a neutral.

Compare instead

Same family, other pairings